LEAR, de William Shakespeare

February 17, 2023 21:30

Teatro Cinema de Fafe


March 2, 2023 21:30

Cine-Teatro Garrett na Póvoa de Varzim


March 10, 2023 21:30

Cine-teatro João Verde em Monção


March 17, 2023 21:30

Casa das Artes de VN Famalicão


March 18, 2023 21:30

Casa das Artes de VN Famalicão


March 25, 2023 21:30

Casa da Cultura de Ílhavo


March 29, 2023 21:30

Palácio do Bolhão


April 7, 2023 21:30

Palácio do Bolhão


In William Shakespeare’s King Lear, there is a kingdom to divide into three. Three daughters and each will fit a part, the greater the demonstration of their affection for the king. The premise is simple and an open door to quackery. On one hand, a king who seeks to buy the love of his daughters. On the other, two daughters who do not skimp on sweet words and vows of eternal love for the king. Cordelia, the youngest, refuses to participate in the farce. There is an end in sight and the king tries to get rid of the burden of managing the kingdom, while at the same time seeking shelter with his daughters. On one hand, the urgency of continuing a legacy – the kingdom. On the other hand, the need for care and protection – old age.

Side by side and accomplices in the staging of the play, António Capelo and Bruno Martins. The first, actor, founder and director of the Porto theater school and company, and here: Rei Lear. The second, a former student, if you like… former apprentice, actor and artist-director of the Famalicão company, and here: director of the play.

Through the classroom of actor and teacher António Capelo, hundreds of artists who currently populate the Portuguese scene passed through the school’s thirty-two years. Many actors, some directors, playwrights, pedagogues, company directors, musicians… many others followed different paths, but for whom the theater school was a turning point in their lives.

The room of an acting class is a kind of capsule with a different space-time and gravity. The simple act of walking is transformed, the knees do not bend as usual, the tips of the fingers insist on pointing to the ground and the arms have been displaced from the torso. The room is suddenly a giant magnifying glass. The teacher’s eyes observe us from behind that magnifying glass and each gesture assumes an amplitude we didn’t know. It is necessary to go back to the beginning and relearn to walk, to talk, to simply be. The theater teacher then becomes a kind of master, a guide for understanding this new world that is the place from which we are observed.

The time has come for the apprentice to guide the master through that rugged terrain that is the character of King Lear, just as the faithful servant Kent guided his master Lear through the storm.

Age Rating: Over 12 years old

Approximate duration: 120 min.

Text: William Shakespeare

Directed by: Bruno Martins

Staging assistance: Cláudia Berkeley and Hélia Martins

Dramaturgy: António Capelo and Bruno Martins

Interpretation: Anabela Sousa, Ana Fonseca, António Capelo, Eduardo Breda, Inês Garcia, João Figueiredo, João Paulo Costa, Matilde Cancelliere, Paulo Calatré, Pedro Couto

Composition and Musical Direction: Tiago Manuel Soares

Scenography: Catarina Barros

Costume Design: Cátia Barros

Light design: Valter Alves

Communication and Disclosure: Nuno Matos

Photography: Paulo Pimenta

Production Direction: Glória Cheio and Raquel Passos

Executive Producer: Rosa Bessa

Technical direction: Pedro Vieira de Carvalho

Scene Direction: Jessica Duncalf

Assembly and light operation: João Brito

Sound editing and operation: Tomé Lopes

Master seamstress: Maria da Glória Costa

Co-production: Teatro da Didascália, Teatro do Bolhão, Teatro Nacional D. Maria II, Casa das Artes de Famalicão

Teatro do Bolhão is a structure funded by the General Direction of Arts – Ministry of Culture